Paris Print Fair | Paris | March 23 – 26, 2022

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  • fine art print etching by Rembrandt Harmenszoon Van Rijn, Christ and the Woman of Samaria: Among Ruins, 1634. Etching printed in black ink on laid paper, signed and dated upper-right in the plate “Rembrandt f. 1634”, 12,9 x 11,3 cm (paper); 12,4 x 10,8 cm (plate). Ref. Bartsch 71; NHD 78 II (V). Courtesy of Jurjens Fine Art.
    Rembrandt Harmenszoon Van Rijn, Christ and the Woman of Samaria: Among Ruins, 1634. Etching printed in black ink on laid paper, signed and dated upper-right in the plate “Rembrandt f. 1634”, 12,9 x 11,3 cm (paper); 12,4 x 10,8 cm (plate). Ref. Bartsch 71; NHD 78 II (V). Courtesy of Jurjens Fine Art.
  • fine art print of Albrecht Dürer, The Rhinoceros, 1515. Woodcut, print on watermarked laid paper of the 4th edition (of 8), the wood showing, in the lower part, a thin slit crossing the front legs of the animal. Printed in the late 16th century. Watermark: crowned shield with fleur-de-lys and letters “WR” as a pendant (Meder n. 121, before 1600). 21 x 29,4 cm (square line). Ref. Bartsch 136. Meder 273.4. Hollstein 273d. Courtesy of Galerie Martinez D.
    Albrecht Dürer, The Rhinoceros, 1515. Woodcut, print on watermarked laid paper of the 4th edition (of 8), the wood showing, in the lower part, a thin slit crossing the front legs of the animal. Printed in the late 16th century. Watermark: crowned shield with fleur-de-lys and letters “WR” as a pendant (Meder n. 121, before 1600). 21 x 29,4 cm (square line). Ref. Bartsch 136. Meder 273.4. Hollstein 273d. Courtesy of Galerie Martinez D.
  • fine art print by Pablo Picasso, L’Aubade, avec Femme Accoudée, 1959. Linocut printed in colour, stamped in ink on the reverse, “Imprimerie Arnéra Archives / Non signé”. Provenance: Archives Imprimerie Arnéra. Courtesy of Frederick Mulder Ltd.
    Pablo Picasso, L’Aubade, avec Femme Accoudée, 1959. Linocut printed in colour, stamped in ink on the reverse, “Imprimerie Arnéra Archives / Non signé”. Provenance: Archives Imprimerie Arnéra. Courtesy of Frederick Mulder Ltd.
  • Hans Sebald Beham, The Lady and Death, 1541. Engraving, 7,9 x 5,2 cm. Ref. Bartsch 149; Pauli and Hollstein 150/I (of III). Provenance: private collection, Germany. Courtesy of Helmut H. Rumbler.
    Hans Sebald Beham, The Lady and Death, 1541. Engraving, 7,9 x 5,2 cm. Ref. Bartsch 149; Pauli and Hollstein 150/I (of III). Provenance: private collection, Germany. Courtesy of Helmut H. Rumbler.
  • Kathy Prendergast, Kaleidoscope Series – Paris, 2017. Intaglio print on Somerset paper, 67,5 x 77 cm. Courtesy of Stoney Road Press.
    Kathy Prendergast, Kaleidoscope Series – Paris, 2017. Intaglio print on Somerset paper, 67,5 x 77 cm. Courtesy of Stoney Road Press.
  • Nicolas Poignon, Ephemeriden 4, 2019. Linocut on China paper, signed and numbered, 29 x 39 cm. Courtesy of Emanuel von Baeyer – Cabinet, London.
    Nicolas Poignon, Ephemeriden 4, 2019. Linocut on China paper, signed and numbered, 29 x 39 cm. Courtesy of Emanuel von Baeyer – Cabinet, London.

March 23 – 26, 2023

Paris Print Fair

Réfectoire du Couvent des Cordeliers
Paris 6e

Participating IFPDA Members:

Jurjens Fine Art Amsterdam, NL

Lelong Editions Paris, FR

Galerie Martinez D Paris, FR

Helmut H. Rumbler Frankfurt, DE

Sarah Sauvin Paris, FR

Emanuel von Baeyer – Cabinet London, UK

C.G. Boerner New York City, US

Hours:

Vernissage Wednesday, March 22 | 4PM-9PM (invitation only)

Thursday, March 23 | 11AM-8PM
Friday, March 24 | 11AM-8PM
Saturday, March 25 | 11AM-8PM
Sunday, March 26 | 11AM-6PM

Art FairEmanuel von BaeyerExhibitionsGalerie LelongGalerie Martinez DJurjens Fine ArtKunsthandlung Helmut H. RumblerLelong EditionsMay 2022Paris FRSarah Sauvin Gallery
International Fine Print Dealers Association
International Fine Print Dealers Association