Mission Statement
Through its network, online presence, and public programs, the IFPDA fosters knowledge and stimulates discussion about collecting prints in the public sphere and the global art community. The IFPDA Print Fair, held annually in New York City, is the largest and most celebrated art fair dedicated to the artistic medium of printmaking. The annual IFPDA Book Award honors scholarly excellence and original research. The IFPDA also advances research, education, and dialogue for a new generation through its charitable Foundation.
Board of Directors
David Tunick, President
David Tunick, Inc., New York, USA
Carolina Nitsch, Vice President
Carolina Nitsch, New York, USA
Peter Osborne, Vice President
Osborne Samuel, London, UK
Larissa Goldston, Treasurer
Universal Limited Art Editions Inc., Bay Shore, USA
Valerie Wade, Secretary
Crown Point Press, San Francisco, USA
Anders Bergstrom
Hauser & Wirth, Zurich, CH; London, UK; New York, US
Niels Borch Jensen
BORCH Editions, Copenhagen, DK
Matthias Kunz
Knust Kunz Gallery Editions, Munich, DE
Jonathan Novak
Jonathan Novak Contemporary Art, Los Angeles, USA
Pam Paulson
Paulson Fontaine Press, Berkeley, USA
Amy Raehse
Goya Contemporary, Baltimore, USA
Marc Rosen
Marc Rosen Fine Art, Ltd., New York, USA
Harris Schrank
Harris Schrank Fine Prints, New York, USA
Sasha Schwartz
Pace Prints, New York, USA
Dakota Sica
Leslie Feely, New York, USA
Staff
Jenny Gibbs, Executive Director
[email protected]
Alex DeMasi, Manager of Membership & Special Programs
[email protected]
Elizabeth Eriole, Communications Coordinator
[email protected]
Diversity, Equity, and Inclusion Committee Mission Statement
Dedicated to creating and fostering opportunities and providing access for traditionally underrepresented groups to participate in all aspects of IFPDA membership including the Board of Directors and the Foundation. The overarching goal of the Committee is to enable the IFPDA to reflect and share a wide range of perspectives and to contribute to the international print community. Leading by example through actions and accountability, the work of the Committee will ensure the ongoing cultural relevance of the IFPDA and ensure its viability for the future by increasing both the number and the diversity of the IFPDA membership.
Goals:
Fundraising – Enlist participation from 100% of our members who can show their support of the committee’s mission and goals by making a contribution to the IFPDA Foundation for funding internships, fellowships, and public programs.
Internship program – A new partnership with Atlanta Center Art History and Curatorial Studies Collective will start in the summer of 2022. Internship placements are awarded through the AUC and participation is open to all IFPDA members in the US and worldwide.
IFPDA Fair Invitational – Create a path to membership by inviting a limited number of new presses, publishers, and/or galleries to exhibit with a small booth at the IFPDA fair. A goal of the committee is to increase the membership of POC businesses by 20% in the next five years.
Public Programs – Plan lectures, studio visits, and panel discussions with invited participation from BIPOC scholars, curators, artists, and collectors in the US and abroad.
Educational materials – Provide a list of books on the IFPDA website relevant to our mission.