Fitch-Febvrel 82. Number 51 in an edition of 90. Numbered in pencil lower left margin: "51/90"; signed and dated in pencil lower right margin: "Erik Desmazières 1986". A fine impression in fine condition. Sheet measures 29 3/4 x 22 1/4 inches.

Glasgow 221 vii/XIII; Kennedy 193 iv/V. From the First Venice Set ("Venice, A Series of Twelve Etchings," 1880). Signed in graphite with the artist's butterfly signature and "imp."on tab. Signed in the plate with the artist's butterfly signature to the left of the arch of the doorway. Printed on laid paper. Trimmed to or just within the platemark. A fine impression in fine condition aside from adhesive residue and hinge remnants verso.

Number 10 in an edition of 10. Numbered in pencil lower right margin: "10/10"; titled in pencil lower center margin: "Capitol Offense 1814/2021"; signed and dated in pencil lower right margin: "Evertson 2021". A fine impression in fine condition.

Numbered, titled, signed, and dated verso: "EV 4/10 "Trigger" Lombardo 2022". Chine-collé impression using pink Kozo on Warm White Hahnemühle Copperplate paper. Printed with Charbonnel Sepia ink. A fine impression in fine condition. Sheet measures 14 x 17 inches.

Bartsch XV 6; Albricci 6, ii/II, with signature erased. Inscribed in the plate, lower center: "Io.Mantuanus Sculptor MDXXXX" (partially erased on the plate). Printed on laid paper. A dark and rich impression of this scarce engraving, with strong contrasts. In fine condition aside from a small minor surface abrasion in the tree trunk at center left, a small rust stain on Goliath's face, and an expertly repaired tear at the lower right paper edge. Trimmed on the platemark with narrow thread margins all around the black border line. The only known example of the first state is preserved at the Albertina of Wien. The subject represented is one of the most famous episodes of the Bible: the shepherd boy David who, armed only with a sling, defeats and beheads Goliath, the fearsome Philistine giant. The engraving comes from a drawing, now lost, by Giulio Romano. The subject is related to the fresco of David and Goliath in the Loggia di Davide at the Palazzo Te. The engraving shows a highly refined technique, evident in the relic on the right worked in low relief. Exponent of the school of Mantova, Scultori is also known by the names of Ghisi and Bertano. A pupil of Giulio Romano, he was primarily a painter, devoting himself to graphic work only in the period between 1536 and 1540. The high quality of his works, extraordinarily close to the spirit of Giorgio Ghisi, have mistakenly contributed to the belief that the two were relatives.