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2024

An Evening to Benefit the IFPDA Foundation with Tschabalala Self

October 21, 2024 · 6:00 – 8:00 PM ET · In person

The IFPDA Foundation and Christie’s invite you to an exclusive evening of cocktails, conversation, and the opportunity to engage with special guests in support of the IFPDA Foundation. Join us as we celebrate the arts and the vibrant community that supports printmaking.

Tickets benefit the IFPDA Foundation, supporting initiatives that foster increased diversity among arts professionals and a deeper appreciation of prints and printmaking through grants for students from HBCUs, curatorial internships, museums and other nonprofits, and curators who are furthering this incredible medium.

We look forward to seeing you there for an unforgettable evening of art and philanthropy.

Benefit Committee

Anders Bergstrom, Hauser & Wirth; IFPDA Board of Directors Eric Chen, BNY Wealth; IFPDA VIP Partner Sharon Coplan Lindsay Griffith, Christie’s Evelyn Day Lasry, Two Palms Andrew Witkin, Krakow/Witkin Gallery; Co-President, IFPDA Foundation

Jenny Gibbs, Executive Director, IFPDA | IFPDA Foundation | IFPDA Print Fair

  1. 2024In person

    Special IFPDA Evening View of "(Re)Print"

    November 1, 2024 · 6:00 – 8:00 PM ET

    Please join us on Friday, November 1st, at 6 PM for a special evening view at Print Center New York of the exhibition "(Re)Print" which centers on projects by contemporary artists printed and published by five IFPDA members who reinterpret and engage with source materials including Mark Bradford, printed by Lower East Side Printshop and published by Sikkema Jenkins & Co.; Cecily Brown, published by Two Palms; Glenn Brown, published by Paupers Press; and Enrique Chagoya, published by Shark's Ink.

  2. Title frame from the recording of “When Degas makes prints, “plate and man are flattened together by his printing press, its mechanism having swallowed him completely"”

    2024OnlineRecording

    When Degas makes prints, “plate and man are flattened together by his printing press, its mechanism having swallowed him completely"

    October 24, 2024 · 12:00 PM ET

    Michelle Foa

    This lecture will shed new light on Degas’s heterogeneous printmaking practice and his fascination with its materials, techniques, and tools. These pictures offer important insight into the artist’s persistent efforts to expand the conventional limits of pictorial illusionism, his frequent intertwining of motif and making, and the central but little-understood role of technical and material experimentation in his larger corpus.

  3. Title frame from the recording of “Glenn Brown with Catherine Daunt, Curator of Modern and Contemporary Prints at the British Museum”

    2024OnlineRecording

    Glenn Brown with Catherine Daunt, Curator of Modern and Contemporary Prints at the British Museum

    October 22, 2024 · 12:00 PM ET

    In conjunction with the exhibition (Re)Print, currently on view at Print Center New York, join us for a virtual artist talk featuring Glenn Brown on artistic obsession, or the repeated referential nature of his printmaking practice, in conversation with the work of important figures in art history. Brown will be joined by Catherine Daunt, Curator of Modern & Contemporary Prints at The British Museum. The pair will discuss Glenn Brown’s accumulative engagement with the work of Lucian Freud as fundamental to understanding the citational nature of his etchings on view in (Re)Print.