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IFPDA member since 2018

Galerie Henze & Ketterer

Wichtrach, CH

Now in its third generation and a family business since 1946, Galerie Henze & Ketterer specializes in Modern art and contemporary art with a focus on German Expressionism. Since the mid-1950s, the gallery has managed the estate of Ernst Ludwig Kirchner, one of the most important artists of this movement and co-founder of the artists’ association “Brücke”. In this way, Galerie Henze & Ketterer contributes to showing the works of “Brücke”, Ernst Ludwig Kirchner and Expressionism in one form or another in international museums. Classical Modern art, Informal Art (L’Art Informel) and Abstraction after 1945, New Figuration and contemporary art with painters and sculptors from Italy, Spain and Germany form the gallery’s other focal points. In addition to Ernst Ludwig Kirchner, the gallery also manages the archives and estates of Berthold Müller-Oerlinghausen, Theo Eble and Fritz Winter. With the information from the“Archiv Stuttgarter Kunstkabinett Roman Norbert Ketterer”, Galerie Henze & Ketterer makes an important contribution to international provenance research on the art of Modern art. ‍ Since the early 1970s, the gallery has participated in international art fairs, including Art Basel, FIAC Paris, Masterpiece London and, to this day, TEFAF Maastricht, Art Cologne and Art Karlsruhe. The gallery is represented online via various Online Viewing Rooms (OVR) as well as with profiles at artsy.net, artnet.com, ifpda.org, printed-editions.com, ocula.com, Instagram, Youtube and LinkedIn.

Specialties

Works

  • Georg Baselitz, Indianergrab (Indian Tomb), 2002 — Woodcut on strong chamois handmade paper., 201 x 150 on 228 x 170 cm., 3/6.

  • Erich Heckel, Bildnis PR (Portrait PR), 1915 — Woodcut, watercoloured,on strong, light brownish wove paper., 35,4 x 26,8 on 59,2 x 49,4 cm., One of ony a few copies pulled by the artist.

  • Otto Mueller, Selbstbildnis mit Modell und Maske (Self-portrait with model and mask), 1921-22 — Lithograph on light grey paper., 38 x 28,8 on 55,5 x 43,5 cm., IV/XXX

  • Edvard Munch, Der Kuss (The Kiss), 1895 — Etching on chamois coloured copperplate printing paper., 34,5 x 27,8 cm on 60 x 44 cm.

  • Emil Nolde, Prophet, 1912 — 32,2 x 22,6 on 40,2 x 33,8 cm.

Exhibitions & news

Works available by

  • Eduard Bargheer (1901–1979)
  • Max Beckmann (1884–1950)
  • George Grosz (1893–1959)
  • Lyonel Feininger (1871-1956)
  • Erich Heckel (1883–1970)
  • Karl Hofer (1878–1955)
  • Ernst Ludwig Kirchner (1880–1938)
  • Wilhelm Lehmbruck (1881-1919)
  • Otto Mueller (1874–1930)
  • Berthold Müller-Oerlinghausen(1893–1979)
  • Edvard Munch (1863-1944)
  • Emil Nolde (1867–1956)
  • Hermann Max Pechstein (1881–1955)
  • Hans Purrmann (1880-1966)
  • Max Peiffer Watenphul (1896–1976)
  • Christian Rohlfs (1849–1938)
  • Karl Schmidt-Rottluff (1884–1976)
  • Hermann Scherer (1893–1927)
  • Georg Tappert (1880-1957)
  • Francis Bott (1904–1998)
  • Theo Eble (1899–1974)
  • Günther Gumpert (1919-2019)
  • Karl Hartung (1908–1967)
  • Ernst Wilhelm Nay (1902-1968)
  • Bernard Schultze (1915–2005)
  • Emil Schumacher (1912–1999)
  • Fred Thieler (1916-1999)
  • Ursula (1921–1999)
  • Theodor Werner (1886–1969)
  • Fritz Winter (1905–1976)
  • Georg Baselitz (*1938)
  • Darío Basso (*1966)
  • Jürgen Brodwolf (*1932)
  • Pizzi Cannella (*1955)
  • Alfonso Hüppi (*1935)
  • Robert Klümpen (*1973)
  • Kubach-Wilmsen (1936-2007 und *1937)
  • Kubach & Kropp
  • Markus Lüpertz (*1941)
  • Daniel Spoerri (*1930)
  • Giovanni Manfredini (*1963)
  • Nunzio (*1954)
  • Paolo Serra (*1946)
Indianergrab (Indian Tomb) by Georg Baselitz
Georg Baselitz, Indianergrab (Indian Tomb), 2002 — Woodcut on strong chamois handmade paper., 201 x 150 on 228 x 170 cm., 3/6.